Cinematic Images
SUMMICRON-C lenses offer authentic color rendition, natural focus transitions and fall off, and a creamy sharpness that captures everything from actresses to architecture with a humane and true representation. Skin tones remain soft and smooth while hard edges and fine details retain their contrast, which makes these one of the most versatile sets of cine lenses available.
The Set
The SUMMICRON-C cine lenses are comprised of 11 focal lengths from 15 mm to 135 mm.
Aperture
The T2.0 SUMMICRON-C prime lenses are built with high ASA/ISO digital cameras in mind, offering plenty of depth of field and performance while maintaining a compact size.
Focusing
The biggest complaint about 35 mm cinema lenses has always been their large size intended to accommodate a focus ring with more witness marks.
The SUMMILUX-C lenses feature a patented focusing mechanism that eschews the logarithmic focusing of the past by expanding the focus scale in the most critical range.
Compact, Lightweight and Matched
Advances in cine lens design allow the SUMMICRON-C lenses to be smaller and more compact than other lenses with comparable performance. Only 4” (101 mm) long and weighing between 2.9 and 3.4 pounds (1.3-1.6 kg), these lenses are perfect for stabilized rigs, aerial cinematography, underwater cinematography, and stereoscopic 3D.
Enlarged "Super 35"
Digital camera sensors are getting physically larger and the SUMMICRON-C lenses are ready to perform. Each lens offers an image circle wider than 35mm in diameter, big enough to easily cover sensors from RED Helium 8K S35 and GEMINI 5K S35, Sony and ARRI Alexa f 16:9 mode formats without performance loss in the corners or vignetting.
Shot with SUMMICRON-C
Check out these films that were all shot on our SUMMICRON-C, large-format cine lenses.
The Old World | A Mindtrip Through Europe OFFICIAL TRAILER 4K
Sizzle Reel
"I'm Leitz Cine all the way..." Jason Momoa
The all-new BMW S 1000 R
Technical Specifications
Focal Length (mm) | 15 mm | 18 mm | 21 mm | 25 mm | 29 mm | 35 mm | 40 mm | 50 mm | 75 mm | 100 mm | 135 mm |
|---|---|---|---|---|---|---|---|---|---|---|---|
Aperture | T2.0 - T22 - full close | ||||||||||
Image Circle | 36 mm | ||||||||||
Close Focus (ft) | 1' | 1' | 1' | 1' | 1' | 1’2” | 1’6” | 2’ | 2’7” | 3’3” | 4'6" |
Close Focus (m) | 0.3 | 0.3 | 0.3 | 0.3 | 0.3 | 0.36 | 0.45 | 0.6 | 0.8 | 1.0 | 1.35 |
Horizontal Angle of view "Super 35" 24.9 mm x 18.7 mm | 79.4º | 69.3º | 61.3º | 52.9º | 46.5º | 39.2º | 34.6º | 28º | 18.9º | 14.2º | 10.5º |
Weight (lb) | 4.1 | 2.9 | 2.9 | 3.4 | 3.0 | 2.9 | 3.0 | 3.2 | 2.7 | 2.7 | 4.1 |
Weight (kg) | 1.8 | 1.3 | 1.3 | 1.5 | 1.3 | 1.3 | 1.3 | 1.5 | 1.2 | 1.2 | 1.8 |
Length (ft) | 4.6" | 4" | 4" | 4" | 4" | 4" | 4" | 4" | 4" | 4" | 4.6" |
Length (in/mm) | 4.6"/118 | 4.0"/101 | 4.0"/101 | 4.0"/101 | 4.0"/101 | 4.0"/101 | 4.0"/101 | 4.0"/101 | 4.0"/101 | 4.0"/101 | 4.6"/118 |
Lens Mount | PL - Stainless Steel | ||||||||||
Focus Rotation | 300° | ||||||||||
Iris Rotation | 180° | ||||||||||
Front Diameter | 95 mm / 3.7” | ||||||||||
Color Balance Between Lenses | Matched Color | ||||||||||
Front Filter | No | ||||||||||
Rear Filter or net Holder | No | ||||||||||
Matched Focus/Iris Ring Locations | All focal lengths | ||||||||||
Matched Dimension in Set | All focal lenghts (except 15 mm and 135 mm) | ||||||||||
Extras
Articles
American Cinematographer
Gemini Man (2019)
SUMMICRON-C
ICG Magazine
Ozark (2017)
SUMMICRON-C
American Cinematographer
Peterloo (2018)
SUMMICRON-C
American Cinematographer
Riverdale (2017)
SUMMICRON-C
American Cinematographer
The Young Pope (2016)
SUMMICRON-C
American Cinematographer
Deepwater Horizon (2016)
SUMMICRON-C
American Cinematographer
T2 Trainspotting (2017)
SUMMICRON-C
DEFINITION
Gemini Man (2019)
SUMMICRON-C
Resources
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