SUMMICRON-C
Character
Premium prime lenses designed for larger sensors on film and television productions.
“In testing the ARRI Alexa LF camera for RAISING DION I saw that the large image circle of the Leitz SUMMICRON-C lenses actually covered the LF sensor in 2:1 and fell in love with the falloff in the corners. They were sharper and cleaner in the center without being harsh on skin tones, and then in a very natural way fell off on a sensor that those lenses were never designed to cover.”
Armando Salas, ASC
Cinematic by Design
Coming to market right before cinema’s exploration of full frame digital sensors began, the Leitz SUMMICRON-C lenses are the last of the modern spherical lenses designed for the Super 35 format, and as such hold many advantages over older lenses intended for the same format. The biggest advantage being that their “Super 35+” image circle, which makes them not just usable on larger sensors at certain formats, but the characteristics and artifacts outside the expected performance range make the images truly unique and interesting.
Comprising 11 focal lengths from 15 mm to 135 mm, the SUMMICRON-C series was designed with the cinematographer in mind. They offer authentic color rendition, natural focus transitions and fall off, and a creamy sharpness that captures everything from actresses to architecture with a humane and true representation. Skin tones remain soft and smooth while hard edges and fine details retain their contrast, making these one of the most versatile and requested sets of cine lenses available.
Small but Mighty
Advances in cine lens design allowed the SUMMICRON-C lenses to be smaller and more compact than other lenses with comparable performance. With all but the extreme focal lengths only 4” (101 mm) long and weighing between 2.9 and 3.4 pounds (1.3-1.6 kg), these lenses are perfect for small-build handheld shooting, Steadicam, stabilized rigs, aerial cinematography, and underwater work. Matched focus and iris ring locations as well as uniform 95mm front diameters mean lens changes and rig rebalancing are quick and easy.
After many years of success the production of the SUMMICRON-C lenses is ending and new lens sets will no longer be available for purchase. Leitz will continue to support the existing SUMMICRON-C owners and rental market with parts and service. While the lenses are no longer being produced, we expect them to continue working on countless features, series and commercials for many, many years through our worldwide network of owners and rental companies.
The Set
The SUMMICRON-C cine lenses are comprised of 11 focal lengths from 15 mm to 135 mm.
Shot with SUMMICRON-C
Check out these films that were all shot on our SUMMICRON-C, large-format cine lenses.
The Old World | A Mindtrip Through Europe OFFICIAL TRAILER 4K
Sizzle Reel
"I'm Leitz Cine all the way..." Jason Momoa
The all-new BMW S 1000 R
Compare Leitz Lenses
Unlock the perfect vision with our lens comparison tool. Explore various focal lengths effortlessly and find the ideal gear for your next cinematic masterpiece
Technical Specifications
Focal Length (mm) | 15 mm | 18 mm | 21 mm | 25 mm | 29 mm | 35 mm | 40 mm | 50 mm | 75 mm | 100 mm | 135 mm |
---|---|---|---|---|---|---|---|---|---|---|---|
Aperture | T2.0 - T22 - full close | ||||||||||
Image Circle | 36 mm | ||||||||||
Close Focus (ft) | 1' | 1' | 1' | 1' | 1' | 1’2” | 1’6” | 2’ | 2’7” | 3’3” | 4'6" |
Close Focus (m) | 0.3 | 0.3 | 0.3 | 0.3 | 0.3 | 0.36 | 0.45 | 0.6 | 0.8 | 1.0 | 1.35 |
Horizontal Angle of view "Super 35" 24.9 mm x 18.7 mm | 79.4º | 69.3º | 61.3º | 52.9º | 46.5º | 39.2º | 34.6º | 28º | 18.9º | 14.2º | 10.5º |
Weight (lb) | 4.1 | 2.9 | 2.9 | 3.4 | 3.0 | 2.9 | 3.0 | 3.2 | 2.7 | 2.7 | 4.1 |
Weight (kg) | 1.8 | 1.3 | 1.3 | 1.5 | 1.3 | 1.3 | 1.3 | 1.5 | 1.2 | 1.2 | 1.8 |
Length (ft) | 4.6" | 4" | 4" | 4" | 4" | 4" | 4" | 4" | 4" | 4" | 4.6" |
Length (in/mm) | 4.6"/118 | 4.0"/101 | 4.0"/101 | 4.0"/101 | 4.0"/101 | 4.0"/101 | 4.0"/101 | 4.0"/101 | 4.0"/101 | 4.0"/101 | 4.6"/118 |
Lens Mount | PL - Stainless Steel | ||||||||||
Focus Rotation | 300° | ||||||||||
Iris Rotation | 180° | ||||||||||
Front Diameter | 95 mm / 3.7” | ||||||||||
Color Balance Between Lenses | Matched Color | ||||||||||
Front Filter | No | ||||||||||
Rear Filter or net Holder | No | ||||||||||
Matched Focus/Iris Ring Locations | All focal lengths | ||||||||||
Matched Dimension in Set | All focal lenghts (except 15 mm and 135 mm) | ||||||||||
Compatibility with RED RF TO PL ADAPTER W/ ELECTRONIC ND FILTER PACK | Yes | No | No | Yes | Yes | Yes | Yes | Yes | Yes | No | No |
Articles
American Cinematographer
Gemini Man (2019)
SUMMICRON-C
ICG Magazine
Ozark (2017)
SUMMICRON-C
American Cinematographer
Peterloo (2018)
SUMMICRON-C
American Cinematographer
Riverdale (2017)
SUMMICRON-C
American Cinematographer
The Young Pope (2016)
SUMMICRON-C
American Cinematographer
Deepwater Horizon (2016)
SUMMICRON-C
American Cinematographer
T2 Trainspotting (2017)
SUMMICRON-C
DEFINITION
Gemini Man (2019)
SUMMICRON-C
Resources
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