LEITZ ZOOM

Entering new ground with first set of premium parfocal large format zoom lenses.

The LEITZ ZOOMs are a set of two full frame cine zoom lenses consisting of a 25-75 mm T2.8 and a 55-125 T2.8. Purpose-built for modern cinematography, the LEITZ ZOOMs match well with the rest of the Leitz cine lenses, offering a slightly warm color temperature that creates beautiful skin tones and true color rendition. Compact and durably built in Germany, they are a perfect pairing for many prime lenses in the market.

Consistent with the Leitz philosophy of making lenses easy to use on set, the focus, iris and zoom ring locations match between the lenses and the mounts are user-swappable between PL and LPL. Like all Leitz full frame lenses they use a circular iris design and focus scales can be swapped between imperial and metric. The lenses transfer metadata using the /i protocol.

Technically, the LEITZ ZOOMs offer a performance hard to find in other full frame zooms. The lenses are parfocal with almost no breathing or distortion. There is no visible chromatic aberration across the frame and the lenses exhibit no ramping throughout the focus range. In fact, many people have said they have the image quality of a prime lens.

Technically Exceptional

No ramping, breathing or distortion.

Stunning Images

Visually beautiful skin tones and colors to match any set of primes.

Visual Quality

Images that stand up beside any prime lens.

Technical Specifications

Focal Length (mm)	25-75 mm	25-75 mm	55-125 mm	55-125 mm
Focal Length Ratio	3	3	2.3	2.3
Aperture	T2.8
Image Circle	46.5 mm
Close Focus (ft)	3’	3’	3’5”	3’5”
Close Focus (m)	0.91	0.91	1.05	1.05
Horizontal angle of view “Full Frame” 36 x 24 mm	at 25 mm	71.5°	at 55 mm	36.2°
Horizontal angle of view “Full Frame” 36 x 24 mm	at 50 mm	39.6°	at 90 mm	22.6°
Horizontal angle of view “Full Frame” 36 x 24 mm	at 75 mm	27°	at 125 mm	16.4°
Horizontal angle of view “Super 35” 24.9 x 18.7 mm	at 25 mm	52.9°	at 55 mm	25.5°
Horizontal angle of view “Super 35” 24.9 x 18.7 mm	at 50 mm	28°	at 90 mm	15.7°
Horizontal angle of view “Super 35” 24.9 x 18.7 mm	at 75	18.8°	at 125 mm	11.4°
Weight (lb)	8.2	8.2	9.7	9.7
Weight (kg)	3.7	3.7	4.4	4.4
Length (in)	10.5"	10.5"	11.02"	11.02"
Length (mm)	266.6 mm	266.6 mm	279.9 mm	279.9 mm
Entrance Pupil (mm)	at 25 mm	268.7	at 55 mm	238.1
Entrance Pupil (mm)	at 50 mm	266	at 90 mm	199.8
Entrance Pupil (mm)	at 75 mm	258.7	at 125 mm	179.6
Zoom Rotation	112.65°	112.65°	120°	120°
Iris Blades	15	15	21	21
Lens Mount	PL, LPL with Cooke/i
Front Diameter	114 mm
Front Filter	M 112 x 1.5 mm screw-in
Rear Filter	Via net holder. With LPL Adapter for both, with PL Adapter only with 55-125 mm
Matched Focus/Iris Ring Locations	Both
Focus Rotation	270°
Iris Rotation	54°
Focus Scales	Turnable scale, easy change from imperial to metric
Iris Shape	Circular through all stops
Color Matching	Matched with LEITZ PRIME lenses

Extras

MACROLUX 114

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LPL MOUNT SONY VENICE

With more and more LPL mount lenses in the market, the LEITZ LPL MOUNT for Sony Venice provides unparalleled flexibility, reliability, and performance by transmitting /i lens metadata to the camera. Combine it with the LEITZ LPL TO PL MOUNT for a complete package.

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