Matched look spherical lenses for large format, VistaVision, and Super 35 cinematography.
Bringing the iconic character of the Leica M lenses to the world of moving pictures.
Premium prime lenses designed for larger sensors on film and television productions.
High speed lenses for super 35 cinematography.
Open up a world of new creative opportunites by expanding the useable focus range.
FOR SONY VENICE
Full Frame and fast aperture combined with the Sony Venice.
FOR ARRI ALEXA Mini LF, Mini and AMIRA The smallest, fastest camera package.
Create compelling still photos and make the most of Leica SL 4K video capabilities.
A new tool for professional image makers using the Leica M 240 camera.
Convention Center Las Vegas, USA
Check where our products were used
Natalie Bailey, Armando Iannucci, Becky Martin
Eben Bolter, BSC
Matty Libatique, ASC
Anonymous Content "Lab"
Fosun Group, Forever Pictures, Jerry Bruckheimer Films, Overbrook Entertainment, Skydance Media
Anders Engström, Francis Lawrence, Stephen Surjik
Jo Willem, Brian Pearson, Jules O'Loughlin
Chernin Entertainment, Endeavor Content
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Kirsten Stewart by Silvan Giger @silvangigerstudio shot on our THALIA cine lenses and RED Scarlet and Epic camera! Nothing more to...
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M 0.8 lens on RED camera in rainy London on a Leica camera production called "The Liberation of Limitation". This setup ...
This scene from the HP commercial "Wake Up" is shot on a 25 mm LEITZ PRIME lens. Cinematography by the famous Matty Liba...
Rigging up a Summicron-C...@tinoschererdotcom tried to reach the sky with a portrait on @hard9choppers with the Leica Summicron-C ...
Stack, Stack, Stack and get the softest picture you can imagine. Sometimes a bit of self-praise is necessary ;-) And remember they...